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Nested and mixed lists are an interesting beast. It’s a corner case to make sure that
- Lists within lists do not break the ordered list numbering order
- Your list styles go deep enough.
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4 States:
Massachusetts
Connecticut
Iowa
Vermont
Who’s next?
Blasted by our first blatant bash with discrimination, my wife and I have returned to her hometown to regroup. Thankfully, her father is a civil rights attorney and is able to help us navigate the aftermath.
Still, the first few days here were pretty hard for me. I think it may have been because we had spent several months planning for our move to the southwest. Everyone we had told about the move had experienced our news as a no-brainer. Everyone knew she belonged in wilderness therapy. Everyone knew she belonged in the desert. She felt like she was finally ready to take flight, only to land flat on her face. We returned home hopeful, but even though we knew we hadn’t done anything wrong, we quickly came to feel the almost inevitable pangs of disappointment, humiliation and that certain je ne sais quoi feeling you get being openly gay in small-town USA.
So what gives?
I know the last time we lived here for any length of time, we ended up in self-censoring ourselves to protect the town soccer moms from witnessing unsettling expressions of gay affection. My wife (then fiance) loved working with the kids so much that for a time she decided she would rather not be in a relationship at all then to have to face the awkward conversations and potential scrutiny that might arise from our being out. In a town where if everyone didn’t know each other, they sure seemed to know her, it meant that I ended up feeling like some random vagabond/lingerer/hanger on with no identity of my own and no known reason for hanging around her or her family. Can we say lame? I think we can.
Our lens is totally different this time, but I can’t help re-living some of those sorrier moments in self-awareness (or lack thereof) as I question the deceptive comfort of these familiar streets. I experience a ominous anonymity every time her father introduces me by first and last name instead of by a title that implies some relation to the family, and disheartened by the diatribe about “temperance” he offers upon inquiry. “We have to move slowly with these people. I have a sense about these things. If you want to be seen as partners, why don’t you act like it? How about a song and dance?” Yes, this coming from a civil rights attorney and known community activist.
Now, I know a lot of the people reading this are already in my choir, but before the choir starts singing back at the preacher about the nature of these comments, let me remind you that he is not alone when in comes to people with integrity professing less-than-enlightened rhetoric around managing the “queer” issue. Even the dreamy, brilliant, forward thinking president we swore in yesterday appears to have no commitment to truly honoring “gay” commitments. Why is it that the even the strong of heart have a hard time seeing us as people, and speaking accordingly?
Last night at the dinner table, my wife’s 18 year old brother questioned his mother’s reference to Rick Warren as “homophobic” on the grounds that Rev. Warren’s stance on homosexuality is based on biblical teachings and that speaking out against homosexuality is Rev. Warren’s duty as a minister to his followers. He further argued that the term homophobia implies fear, and that Rev. Warren has not demonstrated fear of gay people. Now if you want to speak technically, which my brother outlaw was in fact attempting to do, “homophobic” would mean “fear of man,” and in broad terms I believe we’ve all been afraid of our species at one point or another.
Knowing this is not the kind of fear he had in mind, I had to agree with him that disdain, intolerance and ignorance are indeed not the same as fear. In fact, the people I know who are most afraid of gayness are gay people, at least that’s true where I’m from. It doesn’t mean we hate ourselves, but it does mean we often carry a visceral fear around what it means to be gay in a persistently hostile environment.
For example, ask your average straight, god-fearing, “homophobic” person the worse thing they could imagine happening if they were to inadvertently stumble upon a gay person. Perhaps they might suffer the awkward circumstance of an unwanted advance from someone for whom they hold no attraction. Worse yet, perhaps they might experience an earth-shatteringly unexpected urge for reciprocity. Suppose some extra hot dyke was in fact able to seduce your virginal, pious daughter. Is that really so bad?
If the tables are turned and a reverse question is asked of queer people (especially of the transgender variety), many will tell you they fear being beaten, stabbed or killed. Ask a closeted teen why they haven’t brought their new boyfriend home to meet the ‘rents and find out how many of them hold the fear of losing their home or family. Ask your discreet friend at work why they never bring their partner to the company picnic. Ask your flaming choir director why he never brings his lover to church. There are immeasurable fears being held by innumerable people at this very moment. You may know their faces but may not have registered the experience of living their truth as warranting fear.
So I agree that “homophobia” may be a misnomer, and I’ve taken to using another word from the grand American lexicon: bigotry. It’s short, simple, to the point. It cuts clean like “fag,” “dyke,” and “queer.” Everyone can infer its meaning without having to look it up, and it saves me from conversations like the one at last nights dinner.
Wait. That’s not what I want, because something amazing happened at last night’s dinner. In the face of our little conflict, my wife’s father sat in his seat at the head of the table and started waxing poetic about the Jungian symbolism present in Wagner’s Ring Cycle. Quoting Robert Donington, he said “The self is the totality of the psyche, and its interests require us to accept as much of ourselves as we can, not least on the shadow side.” He said we are all purposed here and no journey or point of view is greater or lesser than any other. Now again, choir, you are nodding your heads because you know this one… “Yeah yeah, golden rule, etc. and so forth. I got that.” But this phenomenal ideal always manages to mean something revolutionary when invoked in applicable context.
That being the case, everyone found their own subtle ways to vacate the table until I was the only one who remained, captured by the weight of his words and staid by my inner-self’s yearning to rise to meet their meaning: that each of our stories, mine, my punk brother outlaw and all the others, have their own place; that no one, not even a bigot, can diminish the purpose or display of my being, and furthermore, that it is not my place to seek to diminish anyone else’s. As the 44th President boldly suggested in his inaugural address yesterday afternoon, I will not apologize for my way of life, for my journey is great and the great “I” is required to accept as much of itself as it can, not least on the shadow side.
So I’ve been avoiding this whole blog phenom for years now but I am finally emerging from the dark musty dregs of my proverbial blogger’s closet. I am, and have always been, just as opinionated as your average blogger, but until now, I have tended to reserve my ramblings and musings for the innocent and unsuspecting roommate, neighbor or passerby. My soapbox is full of bubbles, mostly a relentless barrage of questions for quirks in reasoning. The aim is to show that our linear attempts at rationality are mostly just shots in the dark. I know too well how sometimes, like in a good Johnny Cash cover, that gun can go off in our hands, slaying the rider while the horse runs on without him. It is just such an event that has inspired this cry in the dark wild wilderness of the wide blog abyss.
Lilli Lewis has been playing the piano since she was three years old, and composing music for just as long. Raised on a dirt road outside of Athens, GA, the award-winning classical pianist and soprano now pursues a subtler muse and her unexpected journey has yielded a world of insight matched with “innovative, soulful music that will never go out of style.” mp3.com
Lilli’s early immersion in classical music is now met with blues, folk and soul traditions that conjure rich echoes of Odetta and Roberta Flack. She has self-produced four LPs since 2003, each capturing a unique snapshot of the American musical terrain, ever revealing the heart of a truthful sojourner.
“Out From Yonder” won runner-up for Best Folk/World Album in the 2009 Contemporary A Cappella Recording Awards, and rendered Lilli a regional finalist for the acclaimed Mountain Stage Newsong Competition.
Inspired by the landscapes of Shambhala Mountain Center in Red Feather Lakes, CO, the collection reveals stirring melodies mingling with snaps, claps, drums, Hindu mantra and Tuvan throat singing. In August 2008, original selections from “Out From Yonder” rendered Lilli a regional finalist for the acclaimed Mountain Stage Newsong Competition.
Known to audiences from Seattle to Paris, Lilli has been moving audiences with her original music since 2002. With just her voice Lilli weaves a one woman expedition through universal themes like beauty, peace, self-declaration and without a doubt, love.
“Sleepers Wake”, Lewis’ third album, is a journey of beauty and pain, of longing and love, of inescapable truths and infinite possibilities. In these six songs, Lewis brings the listener deeper than ever before in a quest for home, justice and love, and finds a path to them all in her own heart.
Lewis’ “innovative, soulful” music defies conventional genre categories. Those who try to capture her sound have conjured names like Alice Coltrane and Cassandra Wilson, but perhaps the most accurate description was coined by poetess Kemi Bennings, who described her as an “operatic, r and b, folk songbird.” Lewis herself maintains her only goal is “to make music that makes sense to me.” She does so with an elegant poise, her versatile voice showing itself in one moment a pure and longing stratospheric pianissimo, the next a low and earthy rumble, dancing across her range with arresting beauty and ease.
A two-time 1st place winner in the National Association of Teachers of Singing (NATS) vocal competition, Lewis actively performs in every idiom including classical, jazz, folk, gospel and soul. Lewis has recorded with Laszlo Gardony, John Lockwood, Mark Shilansky, Jerome Duepree & Blake Newman. Bands have included Coriander, The Reverend and ETQ (www.elevatethequest.com) and in 2001 she composed the score for the award-winning documentary “NINE.”
“Lilli Lewis, a chanteuse, a pianist with one of the widest hearts and deftest touches in songwriting I have ever heard…uniquley poignant and heartfelt…” Tom Daley, poet
The “innovative, soulful” Lewis writes with elegant poise, her versatile voice shows itself in one moment a pure and longing stratospheric pianissimo, the next a low and earthy rumble, dancing her across her range with arresting beauty and ease.
“Words don’t do justice to the music Lilli Lewis creates- a true dichotomy of sound. Vocals that straddle the spectrum from Patti (as in Tuck &…) to Oleta Adams, and music that combines intricate jazz chords and syncopated rhythms most singers would need a month to master. Lewis is the light at the end of the tunnel …innovative, soulful music [that] will never go out of style.” – mp3.com
“With a sultry voice as smooth as melted butter, Lilli Lewis croons a lush blend of jazz and R&B sensibilities, backed by utterly masterful instrumentation. Sometimes melancholy and always deeply mature, the music…will move you on multiple levels.”
Ampcast.com
Lilli Lewis comes from the famously enigmatic Athens, Georgia where she studied classical piano and voice. An “innovative, soulful” singer and composer, Lewis writes with elegant poise in a style where Gabriel Fauré meets Pharoah Sanders. As she sings, her versatile voice shows itself in one moment a pure and longing stratospheric pianissimo, the next a low and earthy rumble. Lilli dances across her broad vocal and musical range with arresting beauty and ease.
Her band, The Lilli Lewis Project, which features Lewis on piano and vocals, is augmented by award winning clarinetist and composer Todd Brunel who unfailingly presents “tremendous virtuosity and heart” (Eileen Pfeiffer, Boston Globe). A veteran of the Montreal Jazz and Aspen Music Festivals, Brunel plays with breathtaking energy paired with an intimately nuanced lyricism.
“Pianist, composer and awe inspiring singer that merges classical, negro spiritual and soul musics. Her original songs are vocal tour de forces…” Boston Fielder