LILLI LEWIS IS:

1. A SQUISHY HUMANIST WHO LOVES PIANOS.
2. A CREATOR OF #ORANGEMUSIC–DISTANT, MORE SOBER COUSIN OF THE BLUES.
3. SINGER OF SONGS “FOR THE PEOPLE” WHO SOMETIMES LIKES TO GET LOUD ABOUT IT.
4. NEW ORLEANS’ SINGER/COMPOSER OF RARE GRACE AND GRIT.

“Lilli Lewis is one of the best for pure emotional impact and sincerity in her artistry. If you haven’t heard her then do yourself a favor and become enthralled.” – Demian Roberts, photographer

 

The Americana soul artist / activist Lilli Lewis, known as the Folk Rock Diva, ushered in 2020 curating Folk Alliance International’s Louisiana Red Hot Records Roots & Rhythm Showcase as Label Manager and A&R Head, and is spearheading FAI’s new “Committing to Conversation” cultural equity, race and social justice initiative.

“Even when we don’t agree we’re still responsible for each other and the world we live in,” Lewis says. “We are living in deeply divided times where connection matters. Musicians have the ability to help people relate to one another now more than ever.”

In March, Lewis literally brought down the house at the New Orleans Jazz & Heritage Foundation’s “Chanteuse: Celebrating New Orleans Women in Music” , — the show was the Foundation’s last before Louisiana’s statewide shutdown, where she also performed a stunning set for the Kennedy Center’s Arts Across America series.

Trained as opera singer and classical pianist, Lewis has been a composer, producer and performing artist for over two decades. After spending two decades carving out space for herself as an African-American lesbian of size, Lewis is lending her voice to the music industry’s need to diversify its precepts.

She was a featured panelist in Americana Music Association’s “Black Equity in Americana: A Conversation” livestream in August, covered by Billboard, Rolling Stone and American Songwriter, among others. Lewis said “Black artists and black art have been at the heart of Americana since its inception, and now we’re in a position to address what this means from a relatively new point of view. It’s as if we’re being invited to celebrate the reality of the genre and its participants in a more overt and direct way.”

Lewis has composed in every tradition inspires her, including soul, Americana, classical, folk, jazz, rock, gospel, blues, soul and R&B. Lewis integrated elements of New Orleans funk while singing lead for Dirty Dozen Brass Band founding member Kirk Joseph’s Backyard Groove.

“If Sister Rosetta Tharpe and Odetta had had a baby, and that baby had had a baby, and that baby had had another baby… well that baby would probably be me,” she describes. Lewis has two recent critically acclaimed releases on Louisiana Red Hot Records, the 2018 solo piano album “The Henderson Sessions,” and 2019’s Lilli Lewis Project’s “We Belong.”

Lewis serves as VP and A&R Head for Louisiana Red Hot Records, for which she has OffBeat Magazine’s “Record Label of the Year” three times, and often serves as a music industry panelist, production consultant, and advocate for fairness and empowerment in the musical community.

In August, Lewis released a single she co-wrote, co-produced and performed — the “Mask Up” anthem for the #MaskUpCovidDown campaign from Louisiana Red Hot Records and WHIV-FM. The effort benefits Masks for America’s giveaway of free N-95 masks to first responders.

PRESS: OffBeat Magazine

Lewis’ hotly anticipated album “Americana” is due out in early 2021. In addition, Lewis was recently commissioned by Loyola University’s Opera Workshop to contribute 12 original compositions for a cycle of micro-arias entitled “Cura Personalis” including this work for Fats Domino’s talented young grandson, award-winning tenor Antonio Domino: